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baroque

Post-Renaissance architecture with a strong emphasis on the plasticity of classical forms.

Pictured: Wiltener Basilica

Baroque architecture is a late development of the stylistic direction begun in the Renaissance, reviving classical forms and adapting them to a variety of new forms. Following the increased freedom of shape and arrangement explored by Mannerist architects, Baroque architecture further increases the plasticity of the structure, allowing walls to curve, columns to twist, and roofs and pediments to undulate.

Designs are still highly symmetrical, but create a more three-dimensional and theatrical appearance by giving surfaces a greater depth. Curves are especially common, often with interplay between convex and concave bends. Bulging domes, elaborate arrangements of columns, twisting shafts, and effusions of ornament are also common.

The Baroque style was especially favored by the Roman Catholic Church as an instrument of the Counter-Reformation. It was also adopted by much of the European aristocracy in the construction of grand palaces and formal gardens.

Approximate Dates: 1650 to 1750

baroque Photos

  1. Photo 824-701-142 1
    Daniel Kieckhefer
  2. Photo 180-370-145 2
    Luis Ibáñez
  3. Photo 315-831-906 3
    Luis Ibáñez
  4. Photo 454-605-378 4
    Alexander Shutyuck
  5. Photo 102-134-657 5
    Luis Ibáñez
  6. Photo 470-829-071 6
    Alexander Shutyuck
  7. Photo 306-758-555 7
    Luis Ibáñez
  8. Photo 245-118-779 8
    Luis Ibáñez
  9. Photo 294-329-113 9
    Luis Ibáñez
  10. Photo 230-189-095 10
    Cesar Serrano
  11. Photo 208-106-169 11
    Virgilio Grimaldi
  12. Photo 747-770-688 12
    Virgilio Grimaldi
  13. Photo 613-075-353 13
    Luis Ibáñez
  14. Photo 767-499-756 14
    Alexander Ulyanov
  15. Photo 838-508-353 15
    Cesar Serrano
  16. Photo 645-709-768 16
    Luis Ibáñez
  17. Photo 834-310-788 17
    Emmanuel D.
  18. Photo 724-627-015 18
    Emmanuel D.
  19. Photo 457-575-245 19
    Mikel Allende

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